This webwork of translucent plastic slowly changes to all the different rainbow hues, as is now so often the case since artists have discovered they can cheaply get ahold of a pile of LEDs. Despite that hackneyed aspect, I enjoy its form, suspended near the ceiling in the passages connecting Terminals 2 and 3 in O'Hare and helping to break up what would otherwise be a gigantic chunk of bland rectangular negative space.
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